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Casemore Kirkeby is pleased to announce the opening on Saturday, September 8th of This Body Is Alive , the first solo exhibition with the gallery by Los Angeles-based artist Suné Woods. As a complete installation encompassing the main gallery, This Body Is Alive applies an optical foundation to the body...
(2026), adapts stills from Gibson’s of the same name, originally commissioned by ICA SF and presented at the institution in 2022. Drawing on footage captured in upstate New York and during site visits to California’s Bay Area, Gibson reconfigures stills from the original 60-foot-wide video installation into a tapestry-like field guided by pattern and rhythm. The work speaks to the urgency of our collective relationship to the planet while asserting the power of art to foster connection, reflection, and shared civic experience.
Avatar-artist and curator LaTurbo Avedon introduces "Virtual Crush," a multi-disciplinary group exhibition featuring seven international artists: Melissa Broder, Arvida Byström, Claudia Hart, Kira Kutcher, Kim Laughton, Eva Papamargariti, and Signe Pierce. The selected works, spanning 2009 to present, focus largely on representations of the simulated body, identity, and intimacy across this period.
Founded in 1976 by sculptor Peter Voulkos, pioneering live-work community The Dome that has provided creative soil for generations of Bay Area artists. Once a dome-shaped food processing factory, Voulkos and his collaborators transformed the industrial architecture into a radical, communal site where boundaries between art, life, and labor dissolved. Voulkos and his early collaborators, including Clay Jensen, Bella Feldman, Ana Lisa Hedstrom, Tom Holland, Marilyn Levine, JoAnn Gillerman, and Ann Adair Voulkos, built not only studios but shared infrastructure: kilns, casting spaces, performance areas, and—most importantly—a communal culture sustained by experimentation. Today, that culture is sustained by artists including Jennifer Brazelton, Takming Chuang, Juan Santiago, and Leah Virsik. At a moment when many arts instutions face uncertainty, the exhibition highlights the resilience of artist-led communities and underscores their essential role as the cultural backbone of the Bay Area.
(2026), adapts stills from Gibson’s of the same name, originally commissioned by ICA SF and presented at the institution in 2022. Drawing on footage captured in upstate New York and during site visits to California’s Bay Area, Gibson reconfigures stills from the original 60-foot-wide video installation into a tapestry-like field guided by pattern and rhythm. The work speaks to the urgency of our collective relationship to the planet while asserting the power of art to foster connection, reflection, and shared civic experience.
(2026), adapts stills from Gibson’s of the same name, originally commissioned by ICA SF and presented at the institution in 2022. Drawing on footage captured in upstate New York and during site visits to California’s Bay Area, Gibson reconfigures stills from the original 60-foot-wide video installation into a tapestry-like field guided by pattern and rhythm. The work speaks to the urgency of our collective relationship to the planet while asserting the power of art to foster connection, reflection, and shared civic experience.
Chai & Beats: San Francisco at The Midway, San Francisco.
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Avatar-artist and curator LaTurbo Avedon introduces "Virtual Crush," a multi-disciplinary group exhibition featuring seven international artists: Melissa Broder, Arvida Byström, Claudia Hart, Kira Kutcher, Kim Laughton, Eva Papamargariti, and Signe Pierce. The selected works, spanning 2009 to present, focus largely on representations of the simulated body, identity, and intimacy across this period.
Founded in 1976 by sculptor Peter Voulkos, pioneering live-work community The Dome that has provided creative soil for generations of Bay Area artists. Once a dome-shaped food processing factory, Voulkos and his collaborators transformed the industrial architecture into a radical, communal site where boundaries between art, life, and labor dissolved. Voulkos and his early collaborators, including Clay Jensen, Bella Feldman, Ana Lisa Hedstrom, Tom Holland, Marilyn Levine, JoAnn Gillerman, and Ann Adair Voulkos, built not only studios but shared infrastructure: kilns, casting spaces, performance areas, and—most importantly—a communal culture sustained by experimentation. Today, that culture is sustained by artists including Jennifer Brazelton, Takming Chuang, Juan Santiago, and Leah Virsik. At a moment when many arts instutions face uncertainty, the exhibition highlights the resilience of artist-led communities and underscores their essential role as the cultural backbone of the Bay Area.
(2026), adapts stills from Gibson’s of the same name, originally commissioned by ICA SF and presented at the institution in 2022. Drawing on footage captured in upstate New York and during site visits to California’s Bay Area, Gibson reconfigures stills from the original 60-foot-wide video installation into a tapestry-like field guided by pattern and rhythm. The work speaks to the urgency of our collective relationship to the planet while asserting the power of art to foster connection, reflection, and shared civic experience.
(2026), adapts stills from Gibson’s of the same name, originally commissioned by ICA SF and presented at the institution in 2022. Drawing on footage captured in upstate New York and during site visits to California’s Bay Area, Gibson reconfigures stills from the original 60-foot-wide video installation into a tapestry-like field guided by pattern and rhythm. The work speaks to the urgency of our collective relationship to the planet while asserting the power of art to foster connection, reflection, and shared civic experience.
Founded in 1976 by sculptor Peter Voulkos, pioneering live-work community The Dome that has provided creative soil for generations of Bay Area artists. Once a dome-shaped food processing factory, Voulkos and his collaborators transformed the industrial architecture into a radical, communal site where boundaries between art, life, and labor dissolved. Voulkos and his early collaborators, including Clay Jensen, Bella Feldman, Ana Lisa Hedstrom, Tom Holland, Marilyn Levine, JoAnn Gillerman, and Ann Adair Voulkos, built not only studios but shared infrastructure: kilns, casting spaces, performance areas, and—most importantly—a communal culture sustained by experimentation. Today, that culture is sustained by artists including Jennifer Brazelton, Takming Chuang, Juan Santiago, and Leah Virsik. At a moment when many arts instutions face uncertainty, the exhibition highlights the resilience of artist-led communities and underscores their essential role as the cultural backbone of the Bay Area.
(2026), adapts stills from Gibson’s of the same name, originally commissioned by ICA SF and presented at the institution in 2022. Drawing on footage captured in upstate New York and during site visits to California’s Bay Area, Gibson reconfigures stills from the original 60-foot-wide video installation into a tapestry-like field guided by pattern and rhythm. The work speaks to the urgency of our collective relationship to the planet while asserting the power of art to foster connection, reflection, and shared civic experience.
(2026), adapts stills from Gibson’s of the same name, originally commissioned by ICA SF and presented at the institution in 2022. Drawing on footage captured in upstate New York and during site visits to California’s Bay Area, Gibson reconfigures stills from the original 60-foot-wide video installation into a tapestry-like field guided by pattern and rhythm. The work speaks to the urgency of our collective relationship to the planet while asserting the power of art to foster connection, reflection, and shared civic experience.
Avatar-artist and curator LaTurbo Avedon introduces "Virtual Crush," a multi-disciplinary group exhibition featuring seven international artists: Melissa Broder, Arvida Byström, Claudia Hart, Kira Kutcher, Kim Laughton, Eva Papamargariti, and Signe Pierce. The selected works, spanning 2009 to present, focus largely on representations of the simulated body, identity, and intimacy across this period.
(2026), adapts stills from Gibson’s of the same name, originally commissioned by ICA SF and presented at the institution in 2022. Drawing on footage captured in upstate New York and during site visits to California’s Bay Area, Gibson reconfigures stills from the original 60-foot-wide video installation into a tapestry-like field guided by pattern and rhythm. The work speaks to the urgency of our collective relationship to the planet while asserting the power of art to foster connection, reflection, and shared civic experience.
(2026), adapts stills from Gibson’s of the same name, originally commissioned by ICA SF and presented at the institution in 2022. Drawing on footage captured in upstate New York and during site visits to California’s Bay Area, Gibson reconfigures stills from the original 60-foot-wide video installation into a tapestry-like field guided by pattern and rhythm. The work speaks to the urgency of our collective relationship to the planet while asserting the power of art to foster connection, reflection, and shared civic experience.
Avatar-artist and curator LaTurbo Avedon introduces "Virtual Crush," a multi-disciplinary group exhibition featuring seven international artists: Melissa Broder, Arvida Byström, Claudia Hart, Kira Kutcher, Kim Laughton, Eva Papamargariti, and Signe Pierce. The selected works, spanning 2009 to present, focus largely on representations of the simulated body, identity, and intimacy across this period.
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(2026), adapts stills from Gibson’s of the same name, originally commissioned by ICA SF and presented at the institution in 2022. Drawing on footage captured in upstate New York and during site visits to California’s Bay Area, Gibson reconfigures stills from the original 60-foot-wide video installation into a tapestry-like field guided by pattern and rhythm. The work speaks to the urgency of our collective relationship to the planet while asserting the power of art to foster connection, reflection, and shared civic experience.
Casemore Gallery presents Lindsey White's exhibition, 'How To Get On Cable Television,' offering visitors a unique artistic exploration through a series of distinct installation views. Attendees can expect to engage with White's conceptual approach to media presence and visibility, experiencing works that dynamically transform the gallery space. This exhibition provides an intriguing, non-traditional encounter with the artist's vision.